Two link ups in three days! Great to join you, Rosie and all!
I wish we would have taken this picture before Mass, when it was sunny and fewer blooms were fully blown out. Oh well. My mind was a little scattered, as I’d just spent the fifteen minutes before heading out freaking out that a bug I smushed on my phone was a tick (there was blood on the tissue) and if a red mark on Aslan was a bite or the itchy spot on my thigh was not in fact a mole, but a head. I’m now much calmer. š
On me: Dress is from H&M about 3 years ago now. Shrug from Macy’s Everyday Value collection. The belt is ancient, so I no longer remember what outfit it originally went with. Shoes are from one of those outlet shoe stores; though pretty, sometimes awkwardly fitting.
On Aslan: Cat and Jack dress up outfit, sans the bowtie, which I lost before getting home from Target. When he wore this for Easter, I got a great matching (but huge!) one from Crazy 8’s.
Spiritual thoughts: I found it really interesting that the morning after watching the movie Silence we had a reading on sacrifice from 1 Peter and a homily on the shepherd sacrificing for the good of his sheep (meaning us and our flock).
Fr. Barron and Catholic film critic Steven Greydanus have thoughtful things to say about the movie, but in light of the reading and homily today, I’m reflecting on it even more.
Going by 1 Peter, we should follow Christ, and to do so, have no “deceit found in [our] mouths”–no “korobu,” the Japanese word for the apostasy Fr. Rodrigues and brother priest Fr. Garupe contemplates committing. Jesus sacrificed himself on the cross so that we might live in righteousness, much as the Japanese martyrs did in the film.
BUT the key conflict in the film is the wretched moral choices offered to the priests: continue to proclaim the One True Faith and refuse to commit apostasy, but let innocents be tortured to death OR speak his “korobu” and save the lives of five people. It’s like the prisoner’s dilemma of Christian witness: 1. Do you trample on a holy image and allow the authorities to call the Christian faith dead (consequently hindering the spread of the Good News for a long, long time) for the price of your soul and saved lives of a few? ORĀ 2. Do you refuse as a witness to the strength of your faith (“the blood of martyrs is the seed of the Church) for the price of the authorities tarnishing the Christian faith (“See how cruel it is–you must let others die because you won’t take one ‘meaningless’ step or say one ‘simple’ word) and the price of the lives of innocents?
In our good and holy priest’s homily, he said that in our journey to become Christlike, we should be like shepherds to our flock (our family, our neighbors, etc.), and that means putting their welfare above all else. Silence begins with Fr. Rodgriues and Fr. Garupe traveling to Japan to see if it is true that their mentor has committed apostasy, which they learn was an action insidiously designed to trap priests. Was their beloved Fr. Ferreira being a good shepherd in renouncing Christ so that others may live? When another character makes a similar choice, what is in his heart after–does he truly believe that his lifelong work for the state is for the “good” of the people (they get to stay alive!). And what is the true good, anyway?
Silence is rather silent on these questions, unfortunately (but given it was fiction, the filmmakers totally had license to actually say something and make a point). And our priest was cornered for the entire donut social, so I couldn’t ask him about it. Maybe next time, when the drama from the pastoral planning announcement has died down. But that’s a whole other post for another time….